How to represent an artistic intention without reducing it to a description? How to do it preserving the intentionality of the gestus in an ambiguous andsubjective space where the individualism of the artistic perspective is set. “my maladresse…” proposes a viewpoint over Ana Jotta’s universe. An analogous portrait of her relations as an artist is created, setting parallel questions, as hermeneutics possibility and art as a value system. The link relating the trio (artist and director’s deuce) balances between familiarity, master and apprentice, subject and object; the distance and authority of the one behind the camera spreading light around artisticurgencies concerning how Work and Life overlay in this unquiet chase of the greater purpose: a search for consolation in the holy_burlesque of existential functionalism. A documental laboratory of reflexive limits.
Jotta: a minha maladresse é uma forma de délicatesse (2009) is a documentary movie produced by Terratreme in Portugal. It was directed by Francisco Moreira and Salomé Lamas. On screen you will see Ana Jotta and Fernando Cabral Martins. With a runtime of 1h 10m, the film is available in full HD.
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